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The Australian painter Stephen Bush may be best known for having made 27 copies of his The Lure of Paris, a black-and-white work in which Babar the elephant king, cast as colonial explorer, studies the view from a craggy seaside cliff. This survey of Bush's work since 2000, with a selection of earlier pieces, tracks a shift from that beautifully executed but cynical take on history painting towards a more surrealistic, Leipzig-esque style in vibrant, clashing colors. Hermetic, introverted figures and man-made structures--a beekeeper at his nests--are paired with dramatic scenery in an apocalyptic palette of hot pink, coral, lavender and kelly green. As Artforum has noted, Bush turns the landscape genre "inside out. Rather than a mind calmed by the natural environment, these paintings record the external manifestation of psychological trauma."
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Stephen Bush, Stephen Bush
- Idioma
- Publicado en
- 2007
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- (Tapa dura),
- Estado del libro
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- Precio
- 4,39 €
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- Título
- Stephen Bush
- Subtítulo
- Gelderland
- Idioma
- Inglés
- Autores
- Stephen Bush
- Editorial
- SITE Santa Fe
- Publicado en
- 2007
- Formato
- Tapa dura
- Páginas
- 95
- ISBN10
- 0976449250
- ISBN13
- 9780976449256
- Serie
- Etiquetas
- No ficción, Arte, Catálogos de exposiciones, Australia, Oceanía
- Calificación
- 4 de 5
- Descripción
- The Australian painter Stephen Bush may be best known for having made 27 copies of his The Lure of Paris, a black-and-white work in which Babar the elephant king, cast as colonial explorer, studies the view from a craggy seaside cliff. This survey of Bush's work since 2000, with a selection of earlier pieces, tracks a shift from that beautifully executed but cynical take on history painting towards a more surrealistic, Leipzig-esque style in vibrant, clashing colors. Hermetic, introverted figures and man-made structures--a beekeeper at his nests--are paired with dramatic scenery in an apocalyptic palette of hot pink, coral, lavender and kelly green. As Artforum has noted, Bush turns the landscape genre "inside out. Rather than a mind calmed by the natural environment, these paintings record the external manifestation of psychological trauma."


