The Beauty of Inflections
Literary Investigations in Historical Method and Theory (Clarendon Paperbacks)
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With emphasis on the theoretical and methodological, the studies collected here serve a dual purpose: to explore the fault lines that mark various kinds of ahistorical literary studies from New Criticism to Poststructuralism; and to develop a fully elaborated socio-historical criticism for literary works. McGann moves toward his goal by means of four special sets of investigations: the relation between the so-called "autonomous" poem and its political/historical contexts; the relation of reception and history to literary interpretation; the problems of canon and the characterization of period; and the ideological dimensions of both literary works and criticism of such works. Central to his enquiry is the notion that, whether viewed as an experience or as an event, a literary work is a nexus of various concrete social determinations that can be specified as an aesthetic order.
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The Beauty of Inflections, Jerome J. McGann
- Idioma
- Publicado en
- 1985
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- Título
- The Beauty of Inflections
- Subtítulo
- Literary Investigations in Historical Method and Theory (Clarendon Paperbacks)
- Idioma
- Inglés
- Autores
- Jerome J. McGann
- Editorial
- Oxford University Press
- Publicado en
- 1985
- Formato
- Tapa blanda
- Páginas
- 352
- ISBN10
- 0198117507
- ISBN13
- 9780198117506
- Serie
- Etiquetas
- No ficción, Ciencias sociales, Teoría literaria, Europa, Gran Bretaña, Crítica literaria, Irlanda, Libros, Crítica, Teoría literaria
- Calificación
- 3,6 de 5
- Descripción
- With emphasis on the theoretical and methodological, the studies collected here serve a dual purpose: to explore the fault lines that mark various kinds of ahistorical literary studies from New Criticism to Poststructuralism; and to develop a fully elaborated socio-historical criticism for literary works. McGann moves toward his goal by means of four special sets of investigations: the relation between the so-called "autonomous" poem and its political/historical contexts; the relation of reception and history to literary interpretation; the problems of canon and the characterization of period; and the ideological dimensions of both literary works and criticism of such works. Central to his enquiry is the notion that, whether viewed as an experience or as an event, a literary work is a nexus of various concrete social determinations that can be specified as an aesthetic order.
