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Sex Revolts

Gender, Rebellion, and Rock 'n' Roll

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Iggy Pop once remarked about women: "However close they come I'll always pull the rug from under them. That's where my music is made." This sentiment reflects rock 'n' roll's long-standing fear and loathing of the feminine. The book explores rock rebellion through a gender lens, revealing a paradox: the music often feels most exhilarating when it embraces misogyny and machismo. It provocatively questions whether this need be the norm. Balancing a fan's excitement with a critic's awareness of troubling undercurrents, the narrative examines iconic male figures like the Stones and Sex Pistols, who break free from familial ties, and the brotherhood of The Clash, Public Enemy, and U2. It also delves into the fantasies of supermen represented by Led Zeppelin, Jim Morrison, Nick Cave, and gangsta rap. The authors dissect the psychedelic tradition's longing for a return to the womb, featuring artists like Pink Floyd, Jimi Hendrix, and Brian Eno. In parallel, the book uncovers the history of female rebellion in rock, highlighting figures such as Kate Bush, Siouxie, and Grace Jones, alongside the demystifiers of femininity like the Slits and Riot Grrl, as well as tomboy rockers L7 and confessional artists like Janis Joplin and Joni Mitchell. This blend of music criticism, cultural studies, and gender theory positions the work as a crucial text in the women-in-rock discourse.

Compra de libros

Sex Revolts, Simon Reynolds, Joy Press

Idioma
Publicado en
1995
product-detail.submit-box.info.binding
(Tapa blanda),
Estado del libro
Bueno
Precio
7,49 €

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3,9
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Título
Sex Revolts
Subtítulo
Gender, Rebellion, and Rock 'n' Roll
Idioma
Inglés
Publicado en
1995
Formato
Tapa blanda
Páginas
432
ISBN10
067480273X
ISBN13
9780674802735
Serie
Calificación
3,9 de 5
Descripción
Iggy Pop once remarked about women: "However close they come I'll always pull the rug from under them. That's where my music is made." This sentiment reflects rock 'n' roll's long-standing fear and loathing of the feminine. The book explores rock rebellion through a gender lens, revealing a paradox: the music often feels most exhilarating when it embraces misogyny and machismo. It provocatively questions whether this need be the norm. Balancing a fan's excitement with a critic's awareness of troubling undercurrents, the narrative examines iconic male figures like the Stones and Sex Pistols, who break free from familial ties, and the brotherhood of The Clash, Public Enemy, and U2. It also delves into the fantasies of supermen represented by Led Zeppelin, Jim Morrison, Nick Cave, and gangsta rap. The authors dissect the psychedelic tradition's longing for a return to the womb, featuring artists like Pink Floyd, Jimi Hendrix, and Brian Eno. In parallel, the book uncovers the history of female rebellion in rock, highlighting figures such as Kate Bush, Siouxie, and Grace Jones, alongside the demystifiers of femininity like the Slits and Riot Grrl, as well as tomboy rockers L7 and confessional artists like Janis Joplin and Joni Mitchell. This blend of music criticism, cultural studies, and gender theory positions the work as a crucial text in the women-in-rock discourse.