Bookbot

Peter Doig - Charley's Space

Parámetros

  • 144 páginas
  • 6 horas de lectura

Más información sobre el libro

Viewers of a picture by Peter Doig usually experience the vague sensation of having seen a similar motif somewhere else before. This is due to the fact that Doig bases most of his pictorial compositions on models taken from the flood of media images that saturate us daily, appropriating quotations from record covers, sequences from horror movies or citations from art history. Doig's oil paintings--"harmless" only at first glance--come in alienating colors with strongly atmospheric effects. Stylistically composed of sampled painting methods, they present a thoroughly unnerving picture of nature. Doig helps himself freely to the collective archive of images, irritating his viewers by refusing to spell out what the picture is precisely about or where it takes place. His eerily familiar mountain landscapes, forest and ocean works, with their scattered human figures, seem to depict dream sequences or snapshots from stories which are bound to end badly. Published in conjunction with the Bonnefanten Museum, Maastricht.

Compra de libros

Peter Doig - Charley's Space, Ineke Kleijn, Peter Doig, Paula van den Bosch

Idioma
Publicado en
2003
product-detail.submit-box.info.binding
(Tapa blanda)
Te avisaremos por correo electrónico en cuanto lo localicemos.

Métodos de pago

Nadie lo ha calificado todavía.Añadir reseña

Título
Peter Doig - Charley's Space
Idioma
Inglés
Editorial
Hatje Cantz
Publicado en
2003
Formato
Tapa blanda
Páginas
144
ISBN10
3775713336
ISBN13
9783775713337
Serie
Descripción
Viewers of a picture by Peter Doig usually experience the vague sensation of having seen a similar motif somewhere else before. This is due to the fact that Doig bases most of his pictorial compositions on models taken from the flood of media images that saturate us daily, appropriating quotations from record covers, sequences from horror movies or citations from art history. Doig's oil paintings--"harmless" only at first glance--come in alienating colors with strongly atmospheric effects. Stylistically composed of sampled painting methods, they present a thoroughly unnerving picture of nature. Doig helps himself freely to the collective archive of images, irritating his viewers by refusing to spell out what the picture is precisely about or where it takes place. His eerily familiar mountain landscapes, forest and ocean works, with their scattered human figures, seem to depict dream sequences or snapshots from stories which are bound to end badly. Published in conjunction with the Bonnefanten Museum, Maastricht.