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  • 371 páginas
  • 13 horas de lectura

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Boethius composed <i>De Consolation Philosophiae</i> in the 6th century while awaiting death by torture, condemned on a charge of plotting against Gothic rule, which he protested as manifestly unjust. Though a Christian, Boethius details the true end of life as the soul's knowledge of God, and consoles himself with the tenets of Greek philosophy, not with Christian precepts. Written in a form called Meippean Satire that alternates between prose &amp; verse, Boethius' work often consists of a story told by Ovid or Horace to illustrate the philosophy being expounded. <i>The Consolation of Philosophy</i> dominated the intellectual world of the Middle Ages. It inspired writers as diverse Thomas Aquinas, Jean de Meun &amp; Dante. In England it was rendered into Old English by Alfred the Great, into Middle English by Geoffrey Chaucer. Later Queen Elizabeth I made her own translation. The circumstances of composition, the heroic demeanor of the author, and the Meippean texture of part prose, part verse have been a fascination for students of philosophy, literature and religion ever since.

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Tusculum: Trost der Philosophie, Anitius Manlius Torquatus Severinus Boëthius, Ernst Gegenschatz, Olof Gigon

Idioma
Publicado en
1990
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Título
Tusculum: Trost der Philosophie
Idioma
Alemán
Publicado en
1990
Formato
Tapa dura
Páginas
371
ISBN10
3760816622
ISBN13
9783760816623
Serie
Descripción
Boethius composed <i>De Consolation Philosophiae</i> in the 6th century while awaiting death by torture, condemned on a charge of plotting against Gothic rule, which he protested as manifestly unjust. Though a Christian, Boethius details the true end of life as the soul's knowledge of God, and consoles himself with the tenets of Greek philosophy, not with Christian precepts. Written in a form called Meippean Satire that alternates between prose &amp; verse, Boethius' work often consists of a story told by Ovid or Horace to illustrate the philosophy being expounded. <i>The Consolation of Philosophy</i> dominated the intellectual world of the Middle Ages. It inspired writers as diverse Thomas Aquinas, Jean de Meun &amp; Dante. In England it was rendered into Old English by Alfred the Great, into Middle English by Geoffrey Chaucer. Later Queen Elizabeth I made her own translation. The circumstances of composition, the heroic demeanor of the author, and the Meippean texture of part prose, part verse have been a fascination for students of philosophy, literature and religion ever since.