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As Quentin Crisp famously said, "Don't keep up with the Joneses! Drag them down to your level!" This sentiment encapsulates the suburbanites in A.M. Homes's fourth novel. Homes possesses a keen eye for suburban reality, revealing that beneath the polished exteriors, darkness lurks. Paul and Elaine appear to be typical middle-class individuals with mundane aspirations for home improvements and two strapping boys. Their neighbors, Pat and George, embody the ideal family life, but Pat's true self emerges in private, engaging in loveless encounters atop household appliances. Meanwhile, Paul indulges in affairs, while a seemingly benign neighbor engages in sinister activities. The narrative exposes a world of lurid misery masked by false facades, with minor characters hinting at deeper literary connections. Paul and Elaine, previously seen in Homes's collection, find their "happiest night" when they accidentally set their house ablaze. The story unfolds with a nightmarish logic, blending humor and irony. Paul questions Elaine about the destruction of their dining-room table, to which she cryptically replies, "The damage was irreparable." Homes masterfully portrays nice people committing unsavory acts with luminous prose, drawing comparisons to notable authors while carving out her unique voice, reminiscent of a blend between Grace Metalious and Quentin Tarantino.

Compra de libros

Een brandbaar huwelijk, Amy Michael Homes, Gerda Baardman, Marian Lameris

Idioma
Publicado en
2000
product-detail.submit-box.info.binding
(Tapa blanda),
Estado del libro
Bueno
Precio
7,49 €

Métodos de pago

3,7
Muy bueno
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Título
Een brandbaar huwelijk
Idioma
Holandés
Editorial
De Bezige Bij
Publicado en
2000
Formato
Tapa blanda
Páginas
435
ISBN10
9023438973
ISBN13
9789023438977
Serie
Calificación
3,7 de 5
Descripción
As Quentin Crisp famously said, "Don't keep up with the Joneses! Drag them down to your level!" This sentiment encapsulates the suburbanites in A.M. Homes's fourth novel. Homes possesses a keen eye for suburban reality, revealing that beneath the polished exteriors, darkness lurks. Paul and Elaine appear to be typical middle-class individuals with mundane aspirations for home improvements and two strapping boys. Their neighbors, Pat and George, embody the ideal family life, but Pat's true self emerges in private, engaging in loveless encounters atop household appliances. Meanwhile, Paul indulges in affairs, while a seemingly benign neighbor engages in sinister activities. The narrative exposes a world of lurid misery masked by false facades, with minor characters hinting at deeper literary connections. Paul and Elaine, previously seen in Homes's collection, find their "happiest night" when they accidentally set their house ablaze. The story unfolds with a nightmarish logic, blending humor and irony. Paul questions Elaine about the destruction of their dining-room table, to which she cryptically replies, "The damage was irreparable." Homes masterfully portrays nice people committing unsavory acts with luminous prose, drawing comparisons to notable authors while carving out her unique voice, reminiscent of a blend between Grace Metalious and Quentin Tarantino.