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  • 135 páginas
  • 5 horas de lectura

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The Brazilian artist Artur Barrio's work primarily consists of temporary synaesthetic installations made from perishable and organic materials like coffee, bread, and urine. This ephemeral nature drives him to explore alternative documentation methods such as photography and artist books. His approach shares similarities with Joseph Beuys, particularly in material use and the didactic mission of art. The exhibition presents their works in an imaginative dialogue for the first time. At S.M.A.K., Barrio creates a temporary installation closely tied to the museum, alongside Beuys' work. Despite their different generations and cultural backgrounds, both artists exhibit crucial affinities that justify this dual exhibition. Barrio, a pioneer of contemporary Brazilian art, gained recognition in the 1970s for his intuitive installations that challenged traditional aesthetics. His choice of materials rejected permanence, prompting him to document his work through photos and videos, which became integral to the art itself. Additionally, Barrio critiques the role of curators, viewing them as logistical coordinators rather than essential to the artwork. His radical perspective on art's connection to life aligns with Beuys, as both adopt a didactic-shamanistic position that questions established norms. This exhibition aims to highlight the shared mentalities of these two influential artists, exploring the intersections of their work in a b

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Barrio - Beuys ..., Artur Alípio Barrio de Sousa Lopes, Justo Pastor Mellado, Philippe Van Cauteren

Idioma
Publicado en
2005
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(Tapa blanda),
Estado del libro
Muy Bueno
Precio
33,99 €

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Título
Barrio - Beuys ...
Formato
Tapa blanda
Páginas
135
ISBN10
907567922X
ISBN13
9789075679229
Serie
Etiquetas
No ficción, Arte
Descripción
The Brazilian artist Artur Barrio's work primarily consists of temporary synaesthetic installations made from perishable and organic materials like coffee, bread, and urine. This ephemeral nature drives him to explore alternative documentation methods such as photography and artist books. His approach shares similarities with Joseph Beuys, particularly in material use and the didactic mission of art. The exhibition presents their works in an imaginative dialogue for the first time. At S.M.A.K., Barrio creates a temporary installation closely tied to the museum, alongside Beuys' work. Despite their different generations and cultural backgrounds, both artists exhibit crucial affinities that justify this dual exhibition. Barrio, a pioneer of contemporary Brazilian art, gained recognition in the 1970s for his intuitive installations that challenged traditional aesthetics. His choice of materials rejected permanence, prompting him to document his work through photos and videos, which became integral to the art itself. Additionally, Barrio critiques the role of curators, viewing them as logistical coordinators rather than essential to the artwork. His radical perspective on art's connection to life aligns with Beuys, as both adopt a didactic-shamanistic position that questions established norms. This exhibition aims to highlight the shared mentalities of these two influential artists, exploring the intersections of their work in a b