Parámetros
- 339 páginas
- 12 horas de lectura
Más información sobre el libro
Few public intellectuals have had such a big impact outside the academy as Edward Said.This, the first full-length intellectual biography of the groundbreaking author of Orientalism , reveals some startling observations. Abdirahman Hussein argues that underneath Said’s carefully constructed eclecticism there is a global method in his work. Taking Beginnings as the key text Hussein asserts that the discontinuity of the Palestinian experience informs Said’s entire oeuvre but simultaneously transcends it in a permanent search for a new synthesis. Hussein argues that this informs Said’s approach not only to Conrad, Swift, and Eliot, but also to Lukács, Williams, Gramsci and Adorno.
Compra de libros
Edward Said, Abdirahman A. Hussein
- Idioma
- Publicado en
- 2004
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- (Tapa blanda),
- Estado del libro
- Dañado
- Precio
- 9,43 €
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- Título
- Edward Said
- Subtítulo
- Criticism and Society
- Idioma
- Inglés
- Autores
- Abdirahman A. Hussein
- Editorial
- Verso
- Publicado en
- 2004
- Formato
- Tapa blanda
- Páginas
- 339
- ISBN10
- 1859843905
- ISBN13
- 9781859843901
- Serie
- Etiquetas
- Tema histórico, Biografías, Novelas históricas, Temas psicológicos, Temática filosófica, Arte, Temática musical, Filosofía, Clásicos, Espiritualidad y Religión, Política, Autobiografías y memorias, Economía, EE.UU., Guerras, Siglo XX, Biografías, Periodismo & Ensayos, Sociedad, Inglaterra, Memorias, Feminismo, Yoga, Budismo, Crítica literaria, Historia mundial, Escritura, Inspiración, Siglo XXI, Ocultismo, Romanticismo, Marxismo, Revolución, Ilustración, Exilio, Historia Rusa, Teoría literaria
- Descripción
- Few public intellectuals have had such a big impact outside the academy as Edward Said.This, the first full-length intellectual biography of the groundbreaking author of Orientalism , reveals some startling observations. Abdirahman Hussein argues that underneath Said’s carefully constructed eclecticism there is a global method in his work. Taking Beginnings as the key text Hussein asserts that the discontinuity of the Palestinian experience informs Said’s entire oeuvre but simultaneously transcends it in a permanent search for a new synthesis. Hussein argues that this informs Said’s approach not only to Conrad, Swift, and Eliot, but also to Lukács, Williams, Gramsci and Adorno.