
Parámetros
- 174 páginas
- 7 horas de lectura
Más información sobre el libro
Professor Donno's fully annotated edition, based on the Folio text, explains Shakespeare's language in its sixteenth -century social and dramatic context. The introduction emphasises the play's Illyrian setting, a locale that distances the mad actions of the romantic lovers and the comic Sir Toby with his crew from the real world where the wind blows and the rain falls, The play's major themes and characters are defined against their counterparts in Shakespeare's sources and against later parodies or plot adaptations. An illustrated history of the play's fortunes on stage pays particular attention to the part of Malvolio, whether he is played as tragic, burlesque or 'straight'. The interpretation of his role offers a clue to the different preoccupations of productions and critics.
Compra de libros
Twelfth Night or What You Will, William Shakespeare, Elizabeth Story Donno
- Idioma
- Publicado en
- 1985
- Encuadernación
- (Tapa blanda)
Métodos de pago
Nadie lo ha calificado todavía.
- Título
- Twelfth Night or What You Will
- Idioma
- Inglés
- Editorial
- Cambridge University Press
- Publicado en
- 1985
- Formato
- Tapa blanda
- Páginas
- 174
- ISBN10
- 0521296331
- ISBN13
- 9780521296335
- Serie
- Etiquetas
- Humor, Escuela, Literatura Británica, Obras de teatro, Comedias, Crítica literaria, Hermanos y hermanas, Siglo XVII, Renacimiento (época)
- Descripción
- Professor Donno's fully annotated edition, based on the Folio text, explains Shakespeare's language in its sixteenth -century social and dramatic context. The introduction emphasises the play's Illyrian setting, a locale that distances the mad actions of the romantic lovers and the comic Sir Toby with his crew from the real world where the wind blows and the rain falls, The play's major themes and characters are defined against their counterparts in Shakespeare's sources and against later parodies or plot adaptations. An illustrated history of the play's fortunes on stage pays particular attention to the part of Malvolio, whether he is played as tragic, burlesque or 'straight'. The interpretation of his role offers a clue to the different preoccupations of productions and critics.