Esta serie se sumerge en las sombrías profundidades de la literatura y el cine góticos, explorando su evolución e impacto en las historias culturales e intelectuales. Cada volumen ofrece nuevas perspectivas sobre cómo temas clave como el género, la religión y la nación han dado forma a nuestra comprensión de la tradición gótica. Es lectura esencial para cualquiera fascinado por lo macabro y su reflejo en el arte y la narración.
This book explores the intersections of Gothic, cultural, gender, queer, socio-economic and postcolonial theories in nineteenth-century British representations of sexuality, gender, class and race.
This volume investigates the roles played by the concept of the uncanny, as defined by Sigmund Freud and other theorists, in the representation of lesbian and male gay sexualities and transgender in a selection of contemporary British, American and Caribbean fiction published 1980-2007.
Defining the American gothic tradition both within the context of the major movements of intellectual history over the past three-hundred years, as well as within the issues critical to American culture, this comprehensive volume covers a diverse terrain of well-known American writers, from Poe to Faulkner to Toni Morrison and Cormac McCarthy. Charles L. Crow demonstrates how the gothic provides a forum for discussing key issues of changing American culture, explores forbidden subjects, and provides a voice for the repressed and silenced.