Esta serie profundiza en la intersección del crimen y el comportamiento humano, empleando enfoques interdisciplinarios poco convencionales para analizar la criminalidad. Explora cómo los símbolos, las representaciones visuales y los sistemas de comunicación son moldeados y moldean contextos dentro de los ámbitos de la justicia penal y la investigación. Ofreciendo una mirada penetrante, examina cómo entendemos y respondemos a los actos criminales a través de la lente de la semiótica y los estudios culturales.
Mean Green: Nation Building in the National Border Patrol Museum presents an analysis of the National Border Patrol Museum in El Paso, Texas, that deploys theoretical approaches in the disciplines of visual and cultural studies, border studies, ethnic studies, discourse analysis, museology, and spatial theory.
This groundbreaking anthology examines the phenomenon of crime and our historical understanding - and misunderstanding - of the criminal mind through the lens of the humanities, unpacking foundational concepts in criminology and criminal investigative analysis through disciplines such as the visual arts, cultural studies, religious studies, and comparative literature. Edited by two key figures in this burgeoning field who are also pre-eminent experts in both forensic semiotics and literary criminology, this book breathes new life into the humanities disciplines by using them as a collective locus for the study of everything from serial homicide, sexual disorders, and police recruiting and corruption to the epistemology of criminal insanity. Using a multidisciplinary framework that traverses myriad pedagogies and invokes a number of methodologies, this anthology boasts chapters written by some of the world's key scholars working at the crossroads of crime, media, and culture as broadly defined.