La leyenda de Duluoz Serie

"Each book by Jack Kerouac is unique, a telepathic diamond. With prose set in the middle of his mind, he reveals consciousness itself in all its syntatic elaboration, detailing the luminous emptiness of his own paranoiac confusion. Such rich natural writing is nonpareil in later half XX century, a synthesis of Proust, CEline, Thomas Wolfe, Hemingway, Genet, Thelonius Monk, Basho, Charlie Parker, and Kerouac's own athletic sacred insight. "Big Sur's humane, precise account of the extraordinary ravages of alcohol delirium tremens on Kerouac, a suerior novelist who had strength to complete his poetic narrative, a task few scribes so afflicted have accomplished--others crack up. Here we meet San Francisco's poets & recognize hero Dean Moriarty ten years after On the Road. Jack Kerouac was a 'writer, ' as his great peer W.S. Burroughs says, and here at the peak of his suffering humorous genius he wrote through his misery to end with 'Sea, ' a brilliant poem appended, on the hallucinatory Sounds of the Pacific Ocean at Big Sur." --Allen Ginsberg

Following the explosive energy of On the Road comes The Dharma Bums in which Kerouac charts the spiritual quest of a group of friends in search of Dharma or Truth. Ray Smith and his friend Japhy, along with Morley the yodeller, head off into the high Sierras to seek the lesson of solitude and experience the Zen way of life. But in wildly bohemian San Francisco, with its poetry jam sessions, marathon drinking bouts and experiments in 'yabyum', they find the ascetic route distinctly hard to follow.

Alternate version of this book. "What I'm beginning to discover now is something beyond the novel and beyond the arbitrary confines of the story. . . . I'm making myself seek to find the wild form, that can grow with my wild heart . . . because now I know MY HEART DOES GROW." —Jack Kerouac, in a letter to John Clellon Holmes Written in 1951-52, Visions of Cody was an underground legend by the time it was finally published in 1972. Writing in a radical, experimental form ("the New Journalism fifteen years early," as Dennis McNally noted in Desolate Angel), Kerouac created the ultimate account of his voyages with Neal Cassady during the late forties, which he captured in different form in On the Road. Here are the members of the Beat Generatoin as they were in the years before any label had been affixed to them. Here is the postwar America that Kerouac knew so well and celebrated so magnificently. His ecstatic sense of superabundant reality is informed by the knowledge of mortality: "I'm writing this book because we're all going to die....My heart broke in the general despair and opened up inward to the Lord, I made a supplication in this dream." "The most sincere and holy writing I know of our age." —Allen Ginsberg

Leo Percepied, aspiring writer and self-styled free-wheeling bum, gravitates to the Subterraneans, impoverished intellectuals who haunt the bars and clubs of San Francisco, surviving on a diet of booze and benzedrine, Proust and Verlaine. Living among them is Mardou Fox, beautiful and a little crazy, whose dark eyes, full of suffering and sweetness, find recognition in Leo. But, afraid of his growing involvement, Leo sets out to destroy their love. Exuberant and melancholy, Kerouac's spontaneous prose flows across the pages. Written in three days, The Subterraneans is, like all Kerouac's work, closely related to his own life while encapsulating his great vision of America.

'The piteousness of his little soft shroud of hair falling down his brow and swept aside by the hand over blue serious eyes' Described by Kerouac as 'my most serious sad and true book', Visions of Gerard forms the first volume of his memoir cycle the 'Duluoz Legend'. Based on Jack Kerouac's memories of the beloved older brother who died when he was a boy, it is unique among his novels for its dreamlike evocation of the sensations of childhood - its wisdom, anguish, intensity, innocence, joy and pain. It is a haunting exploration of the precariousness of existence. 'Called a "pain-tale" by Kerouac, it's the story of an almost divine, Buddha-like child wracked with sickness and suffering' Guardian

Desolation Angels, published in 1965, yet written years earlier around the time On the Road was in the process of publication, is a semi-autobiographical novel written by Beat Generation author Jack Kerouac, which makes up part of his Duluoz Legend. According to the book's foreword, the opening section of the novel is almost directly taken from the journal he kept when he was a fire lookout on Desolation Peak in the North Cascade mountains of Washington state. Much of the psychological struggle which the novel's protagonist, Jack Duluoz, undergoes in the novel reflects Kerouac's own increasing disenchantment with the Buddhist philosophy with which he had previously been fascinated.

Told through the character of Kerouac's fictional alter ego, Jack Duluoz, the novel tells the story of his childhood in Massachusetts. A clever and rebellious boy, Jack creates an imaginary world of strange, new possibilities.

Tristessa is a strange fever-dream of morphine sickness and belly-deep sadness. Or, in the words of Allen Ginsberg: 'a narrative meditation studying a hen, a rooster, a dove, a cat, a chihuahua dog, family meat, and a ravishing, ravished junky lady, first in their crowded bedroom, then out to drunken streets, taco stands, and pads at dawn in Mexico City slums'.

Con el paso del tiempo, en el camino, un libro que fue la biblia y el manifiesto de la generación beat, se ha convertido en una novela de culto y en un clásico de la literatura norteamericana. Con un inconfundible estilo bop, en esta novela se narran los

Maggie Cassidy , a 1959 novel by Jack Kerouac written about his times in Lowell, MA from 1938 to 1939. It chronicles Kerouac's real life relationship with teen age heart-throb Mary Carney. It is unique for Kerouac for its high school setting and teenage characters. He wrote the novel in 1953 but it was not published until 1959, after the success of On the Road .

The town in this tale is Galloway, Masachusetts, birthplace of the five sons and three daughters of the Martin family in the early 1900s. The city is New York, the heaving melting pot which lures them all in search of futures and identity.

Satori is the Japanese word for sudden awakening or illumination. This autobiographical novel is an odyssey of discovery. It is also an insight into Kerouac's introduction to the eastern mysticism that was to become a lifelong passion.

En sus últimos años, Jack Kerouac consideraba que todas sus obras eran parte de una «enorme comedia» que él titulaba «La leyenda de los Duluoz». Y Jack Duluoz era él mismo, el protagonista de todas sus novelas. La vanidad de los Duluoz, escrita en 1967, es el fascinante relato de los años formativos del escritor. Duluoz, un jovencito que juega espléndidamente al fútbol americano, consigue una beca, pero su educación coincide con la Segunda Guerra Mundial, por lo que tendrá una iniciación a la vida adulta mucho más caótica de lo que hubiera podido imaginar. Se alistará en la marina, recorrerá el mundo, y volverá por fin a una Nueva York donde le esperan Burroughs, Cassady y Ginsberg, y donde comenzarán la literatura, los viajes, la música, las drogas, la extática aventura de vivir y de escribir... «Los primeros textos de Ginsberg, algunos poemas de Corso, son realmente notables, pero Kerouac era el mejor de todo el grupo... Y su espíritu ha sobrevivido. Cuarenta años después de su publicación, sus libros son leídos cada año por miles de jóvenes» (Barry Gifford).

Before Jack Kerouac expressed the spirit of a generation in his 1957 classic, On the Road, he spent years figuring out how he wanted to live and, above all, learning how to write. Atop an Underwood brings together more than sixty previously unpublished works that Kerouac wrote before he was twenty-two, ranging from stories and poems to plays and parts of novels, including an excerpt from his 1943 merchant marine novel, The Sea Is My Brother. These writings reveal what Kerouac was thinking, doing, and dreaming during his formative years, and reflect his primary literary influences. Readers will also find in these works the source of Kerouac's spontaneous prose style. Uncovering a fascinating missing link in Kerouac's development as a writer, Atop an Underwood is essential reading for Kerouac fans, scholars, and critics.

Die Geschichte von Kerouacs Alter Ego Jack Duluoz erzählt von dessen High-School-Erlebnissen in Massachusetts und seiner Zeit als Football-Stipendiat an der Columbia Universität. Gerade als Jack in sein glamouröses Erwachsenenleben ausbrechen will, bricht auch der Zweite Weltkrieg aus, Jack tritt der US Navy bei und bereist die Welt. Während er Erfahrungen sammelt, erkennt er die Grenzen seiner ursprünglichen Pläne und kehrt zurück nach New York, wo die Beat-Bewegung gerade ihren Anfang nimmt, zurück in einen Tumult aus Drogen, Sex und wahnhaftem Schreiben.

Written over the course of three days and three nights, The Subterraneans was generated out of the same ecstatic flash of inspiration that produced another one of Kerouac's early classic, On The Road. Centering on the tempestous breakup of Leo Percepied and Mardou Fox--two denizens of the 1950s San Francsico underground--The Subterraneans is a tale of dark alleys and dark rooms, of artists, of visionaries,