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Rabih Alameddine

    Rabih Alameddine es un autor cuya obra explora las complejidades de la identidad y el desplazamiento a través de una mezcla única de humor e introspección profunda. Sus narrativas profundizan en las intersecciones de la cultura, el arte y la historia personal, ofreciendo a los lectores un rico tapiz de experiencias.

    The Angel of History
    An Unnecessary Woman
    The Wrong End of the Telescope
    I, the Divine
    Yo, la Divina
    El contador de historias
    • El contador de historias

      • 659 páginas
      • 24 horas de lectura

      Así empieza a hablar Osama, el hombre recién llegado a Beirut que a lo largo de estas páginas nos desvelará los secretos de su estrafalaria familia y muy en especial del abuelo, un hombre que había dedicado su vida al ilustre oficio de contar historias en bares y mercados. Nadie como él sabía hablar de héroes y villanos, de princesas y esclavas, de tesoros ocultos en ciudades encantadas; nadie sabía mezclar tan sabiamente los hilos de la realidad y la leyenda; nadie, en fin, mejor que él para hacer de la vida un cuento mágico. Osama decide seguir los pasos del abuelo y El contador de historias es su manera de llevarnos a un mundo donde todo es posible, incluso la felicidad.

      El contador de historias
    • I, the Divine

      A Novel in First Chapters

      • 324 páginas
      • 12 horas de lectura

      The novel explores Sarah's journey of self-discovery amidst the complexities of her hybrid family and the backdrop of wartime Beirut. As she navigates her life in self-imposed exile in the United States, she sheds layers of pretension, revealing her authentic self. Supported by a close friend and her son, Sarah embraces both her dignity and the fragmented nature of her existence. The narrative is imbued with humor and heartache, presenting a poignant and memorable exploration of humanity. A reading group guide is also included.

      I, the Divine
    • By National Book Award finalist and Dos Passos Prize winner, Rabih Alameddine, comes a transporting new novel about an Arab American trans woman's personal journey among Syrian refugees on Lesbos island.

      The Wrong End of the Telescope
    • "Aaliya Sohbi lives alone in her Beirut apartment, surrounded by stockpiles of books. Godless, fatherless, childless, and divorced, Aaliya is her family's 'unnecessary appendage.' Every year, she translates a new favorite book into Arabic, then stows it away. The thirty-seven books that Aaliya has translated over her lifetime have never been read-- by anyone. After overhearing her neighbors, 'the three witches, ' discussing her too-white hair, Aaliya accidentally dyes her hair too blue. In this breathtaking portrait of a reclusive woman's late-life crisis, readers follow Aaliya's digressive mind as it ricochets across visions of past and present Beirut. Colorful musings on literature, philosophy, and art are invaded by memories of the Lebanese Civil War and Aaliya's own volatile past. As she tries to overcome her aging body and spontaneous emotional upwellings, Aaliya is faced with an unthinkable disaster that threatens to shatter the little life she has left"-- from publisher's web site

      An Unnecessary Woman
    • Following the critical and commercial success of An Unnecessary Woman, Alameddine delivers a spectacular portrait of a man and an era of profound political and social upheaval.

      The Angel of History
    • Hakawati

      Il cantore di storie

      • 751 páginas
      • 27 horas de lectura

      "Hakawati. Il cantore di storie" di Rabih Alameddine è un caso letterario: sia perché l'autore, giordano, di origine libanese apre una finestra su un mondo problematico; sia perché, mantenendo un alto livello di qualità letteraria, Alameddine, al suo terzo romanzo, riesce a mettere a confronto l'arte dello storytelling di tradizione araba con la cultura americana che il protagonista e l'autore hanno assorbito per molti anni. Nel romanzo, il protagonista, Osama al-Kharrat, lascia nel 2003 gli Stati Uniti, dove vive da tempo, per recarsi al capezzale del padre a Beirut. E se scopre la sua città natale irrimediabilmente cambiata, trova invece intatti gli affetti famigliari e il modo di comunicarli attraverso le storie. Cantastorie di professione era infatti il nonno di Osama, e le avventure del suo arrivo in Libano dalla Turchia si mescolano a quelle dei principi delle Crociate come pure ai pettegolezzi della vita di tutti i giorni.

      Hakawati