Rabih Alameddine Orden de los libros (cronológico)

WINNER OF THE PEN/FAULKNER AWARD FOR FICTION 2022. 'A beautiful, well paced, enraging, funny and heartbreaking book' - The Guardian. 'Spectacular . . . deeply poignant' - New York Times. Mina Simpson, a Lebanese doctor, arrives at the Moria refugee camp in Lesbos, Greece, after being called by a friend who runs an NGO. Distanced from her family except for her brother, Mina has long avoided her homeland. With a week off work and separated from her wife of thirty years, she seeks to make a meaningful impact among the many Western volunteers. Soon, a boat arrives carrying Sumaiya, a determined Syrian matriarch battling terminal liver cancer. She hides her diagnosis from her family, fiercely protecting them. As Mina and Sumaiya bond over this secret, Mina prepares a treatment plan with limited resources while grappling with the broader issues of displacement and her own limitations in providing aid. This narrative introduces a compelling heroine, leading readers through one of today's most pressing humanitarian crises. Alameddine skillfully intertwines stories of other refugees, creating a vibrant tapestry of tragic yet humorous portraits of resilient spirits. 'Alameddine hits a distinctly contemporary note with this new book about refugees . . . it feels totally authentic' - Sunday Times.

Following the critical and commercial success of An Unnecessary Woman, Alameddine delivers a spectacular portrait of a man and an era of profound political and social upheaval.

"Aaliya Sohbi lives alone in her Beirut apartment, surrounded by stockpiles of books. Godless, fatherless, childless, and divorced, Aaliya is her family's 'unnecessary appendage.' Every year, she translates a new favorite book into Arabic, then stows it away. The thirty-seven books that Aaliya has translated over her lifetime have never been read-- by anyone. After overhearing her neighbors, 'the three witches, ' discussing her too-white hair, Aaliya accidentally dyes her hair too blue. In this breathtaking portrait of a reclusive woman's late-life crisis, readers follow Aaliya's digressive mind as it ricochets across visions of past and present Beirut. Colorful musings on literature, philosophy, and art are invaded by memories of the Lebanese Civil War and Aaliya's own volatile past. As she tries to overcome her aging body and spontaneous emotional upwellings, Aaliya is faced with an unthinkable disaster that threatens to shatter the little life she has left"-- from publisher's web site

Así empieza a hablar Osama, el hombre recién llegado a Beirut que a lo largo de estas páginas nos desvelará los secretos de su estrafalaria familia y muy en especial del abuelo, un hombre que había dedicado su vida al ilustre oficio de contar historias en bares y mercados. Nadie como él sabía hablar de héroes y villanos, de princesas y esclavas, de tesoros ocultos en ciudades encantadas; nadie sabía mezclar tan sabiamente los hilos de la realidad y la leyenda; nadie, en fin, mejor que él para hacer de la vida un cuento mágico. Osama decide seguir los pasos del abuelo y El contador de historias es su manera de llevarnos a un mundo donde todo es posible, incluso la felicidad.

The novel explores Sarah's journey of self-discovery amidst the complexities of her hybrid family and the backdrop of wartime Beirut. As she navigates her life in self-imposed exile in the United States, she sheds layers of pretension, revealing her authentic self. Supported by a close friend and her son, Sarah embraces both her dignity and the fragmented nature of her existence. The narrative is imbued with humor and heartache, presenting a poignant and memorable exploration of humanity. A reading group guide is also included.