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Richard Abel

    The Exhibitor as Producer
    Our Country/Whose Country?: Early Westerns and Travel Films as Stories of Settler Colonialism
    Motor City Movie Culture, 1916-1925
    • Motor City Movie Culture, 1916-1925

      • 308 páginas
      • 11 horas de lectura

      Exploring the evolution of Hollywood in early 20th-century Detroit, this book delves into the city's vibrant movie culture from 1916 to 1925. Richard Abel highlights the significant contributions of local organizations in film production, distribution, and exhibition, aiming to integrate cinema into daily life. Utilizing a rich array of primary sources, he reveals how entrepreneurs attracted diverse audiences from ethnic neighborhoods to theaters. The work also addresses distribution practices and the interplay between regional efforts and major studios, shaping America's mass moviegoing culture.

      Motor City Movie Culture, 1916-1925
    • Focusing on early westerns and travel images, the analysis delves into the portrayal of settler colonialism and its impact on American culture. It examines how these narratives reflect the westward expansion of white settlers and the evolving concept of "American Progress," highlighting the cultural transformations that accompanied this historical phenomenon. Through this lens, the book uncovers the complexities of American identity and the implications of expansionist ideals.

      Our Country/Whose Country?: Early Westerns and Travel Films as Stories of Settler Colonialism
    • The Exhibitor as Producer

      Stage Prologues in American Movie Theatres, 1917-1926

      • 143 páginas
      • 6 horas de lectura

      Exploring the evolution of prologues in American movie theaters from the late 1910s to the mid-1920s, this open access book investigates their origins, key exhibitors, and defining characteristics. It examines the prevalence of prologues in various theater settings, from grand cinemas to small-town venues, and their role in enhancing or contrasting with feature films. The book also delves into the performers involved and how prologues were perceived by audiences, including their potential status as a main attraction in promotional materials.

      The Exhibitor as Producer