The Exhibitor as Producer

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Exploring the evolution of prologues in American movie theaters from the late 1910s to the mid-1920s, this open access book investigates their origins, key exhibitors, and defining characteristics. It examines the prevalence of prologues in various theater settings, from grand cinemas to small-town venues, and their role in enhancing or contrasting with feature films. The book also delves into the performers involved and how prologues were perceived by audiences, including their potential status as a main attraction in promotional materials.