Jason Goodwin Orden de los libros (cronológico)

In nineteenth-century Istanbul, a Polish prince has been kidnapped. His assassination has been bungled and his captors have taken him to an unused farmhouse. Little do they realize that their revolutionary cell has been penetrated by their enemies, who use the code name La Piuma (the Feather). Yashim is convinced that the prince is alive. But he has no idea where, or who La Piuma is - and has become dangerously distracted by falling in love. As he draws closer to the prince's whereabouts and to the true identity of La Piuma, Yashim finds himself in the most treacherous situation of his career: can he rescue the prince along with his romantic dreams? Jason Goodwin's bestselling 'Yashim' series has been published across the globe and received huge critical acclaim. In The Baklava Club, Goodwin takes Yashim on an adventure like no other, through the stylish, sensual world of Ottoman Istanbul.

When the body of a Russian agent is found down a monastery well, Yashim knows exactly who to blame. Fevzi Ahmet Pasha, commander of the Ottoman fleet. Years ago, when Yashim first entered the sultan's service, Fevzi Ahmet was his mentor. Ruthless, cruel, and - in Yashim's eyes - ultimately ineffective, he is the only man who makes him afraid. And now Yashim must confront the secret that Fevzi Pasha has been keeping all these years, a secret whose roots lie deep in the tortured atmosphere of the sultan's harem, where normal rules are suspended, and women can simply disappear. Once again, Yashim and his friends encounter treachery and politics, played out against the backdrop of 1840s Istanbul.

Charged by the Sultan to find a stolen painting by Bellini, Yashim the detective enlists the help of his friend Palewski, the Polish Ambassador, and goes undercover. Venice in 1840 is a city of empty palazzos and silent canals, and Palewski starts to mingle with Venetian dealers but when two bodies turn up in the canal, he realises that art in Venice is a deadly business, and it is up to Yashim to attempt to rescue his intrepid friend from forces bigger than they had ever imagined . . .

'Auf unserer Wanderung haben Kate und ich jeden Tag miteinander geredet, undefinierbare Mahlzeiten geteilt und uns wochenlang nicht die Haare gewaschen. Wir sind gelaufen, bis unsere Schuhe auseinanderfielen. Und am Ende haben wir geheiratet.' Jason Goodwin und seine zukünftige Frau gehen nach dem Fall der Mauer und des Eisernen Vorhangs in180 Tagen von Danzig bis zum Goldenen Horn. Sie durchstreifen Polen – ausgerechnet mit einer alten deutschen Wehrmachtskarte –, ziehen über die Hohe Tatra nach Ungarn, Siebenbürgen, Rumänien und Bulgarien, durchqueren endlose Sonnenblumenfelder und Flussauen, gehen mit Mönchen schwimmen und werden von ihren polnischen Gastgebern zu einem Abend mit deutschen Fernsehserien eingeladen. Das originelle Reisebuch zweier Großstädter, die sich auf eine 3 000 Kilometer lange Wanderung mit ungewissem Ausgang begeben.

"When a French archaeologist arrives in 1830s Istanbul determined to track down a lost Byzantine treasure, the local Greek communities are uncertain how to react; the man seems dangerously well-informed. Yashim Togalu, who so brilliantly solved the mysterious murders in The Janissary Tree, is once again enlisted to investigate. But when the archaeologist's mutilated body is discovered outside the French embassy, it turns out there is only one suspect: Yashim himself." "Yashim finds himself racing against time once again, to clear his name and uncover the startling truth behind a shadowy society dedicated to the revival of the Byzantine Empire, encountering along the way such vibrant characters as Lord Byron's doctor and the sultan's West Indies-born mother, the valide. Never has the age-old fight between Christianity and Islam taken place amid such thrilling intrigue. Armed only with a unique sixteenth-century tome, the dashing eunuch ushers us into a high-stakes world of betrayal, death, and exhilarating mystery."--Jacket

Yashim is no ordinary detective. Yashim is a eunuch. A concubine is strangled in the Sultan's palace harem, and a young cadet is found butchered in the streets of Istanbul. Delving deep into the city's crooked alleyways, and deeper still into its tumultuous past, Yashim discovers that some people will go to any lengths to preserve the traditions of the Ottoman Empire. Brilliantly evoking Istanbul in the 1830s, The Janissary Tree is a bloody, witty and fast-paced literary thriller with a spectacular cast.

On Foot to the Golden Horn recounts Jason Goodwin's journey with two companions through Eastern Europe from the dikes and marshes of Poland's Baltic coast across to the Golden Horn in Istanbul. Along the way, they sleep in haystacks, drink with Gypsies, and play with Ceaucescu's orphans, meeting with blatant hostility and overwhelming hospitality as an older Europe tries to settle with itself, and a new one struggles to be born. It is the story of three friends' walk through some of the world's most beautiful and tragic places, and of their encounters with a varied and vivid cast of characters

A history of the Ottoman Turks, founders of an empire lasting 600 years and stretching from the Persian Gulf to Hungary, to Algeria. The author describes the harems, the artistic and technological achievements--the cannon was first used by them in the siege of Constantinople--and the religious tolerance to which he attributes the empire's longevity.

At its height, the Ottoman Empire spanned from Iran to Turkey, uniting diverse ethnicities and nations. Although Islamic, many subjects were non-Muslim; it was Turkish, yet predominantly Balkan Slavs served in the military. The empire blended Byzantine ceremony, Persian dignity, Egyptian wealth, and Arabic literature. Jason Goodwin, in his beautifully written account, attributes the empire's longevity to its tolerance, flexibility, and meritocracy, rather than forced cultural assimilation. However, the empire was fundamentally military-driven, with every road leading to a military purpose. Horses were revered, and peace often led to internal discord. The Ottomans thrived in warfare, with their camps starkly organized compared to the chaotic Western encampments. Goodwin vividly captures 15th-century battles, likening them to cinematic spectacles. Yet, as the empire faced the rise of industrialism in Western Europe, its martial strengths became obsolete. Nationalism emerged as a destructive force, leading to factionalism and disloyalty, undermining the tolerance that had once fostered unity. The book concludes with a poignant reflection on Turkish dogs, symbolizing the empire's decline and the loss of its once-celebrated acceptance. Goodwin's work is a rich tapestry of history, blending scholarly insights with poetic imagery.