Alberto Moravia Libros

FIRST PUBLISHED in English in 1958, Two Women is a compassionate yet forthright narrative of simple people struggling to survive in war. The two women are Cesira, a widowed Roman shopkeeper, and her daughter Rosetta, a naive teenager of haunting beauty and devout faith. When the German occupation of Rome becomes imminent, Cesira packs a few provisions, sews her life savings into the seams of her dress, and flees with Rosetta to her native province of Ciociara, a poor, mountainous region south of Rome. Cesira's currency soon loses its value, and a vicious barter economy, fraught with shifty traffickers and thieves, emerges among the mountain peasants and refugees. Mother and daughter endure nine months of hunger, cold, and filth as they await the arrival of the Allied forces. Cesira scarcely cares who wins the war, so long as victory comes soon and brings with it a return to her quiet shopkeeper's life. Instead, the Liberation brings tragedy. While heading back to Rome the pair are attacked by a group of Allied Moroccan soldiers, who rape Rosetta and beat Cesira unconscious. This act of violence and its resulting loss of innocence so embitters Rosetta that she falls numbly into a life of prostitution. Throughout these hardships Moravia offers up an intimate portrayal of the anguish and destruction wrought by war, both on the battlefield and upon those far from the fray.

En Agostino (1944), Alberto Moravia recrea el despertar sexual de un joven adolescente, mientras veranea con su madre viuda en un balneario del Mediterráneo. Un encuentro fortuito en la playa con un chico de muy distinta condición social a la suya (Berto), y movido por la curiosidad y el amor propio, lo induce a conocer un mundo opuesto, a pesar de ser tratado por la pandilla de Berto como un niño estúpido, ya sea por su riqueza o ingenuidad.

SECRECY AND SILENCE are second nature to Marcello Clerici, the hero of The Conformist, a book which made Alberto Moravia one of the world's most read postwar writers. Clerici is a man with everything under control - a wife who loves him, colleagues who respect him, the hidden power that comes with his secret work for the Italian political police during the Mussolini years. But then he is assigned to kill his former professor, now in exile, to demonstrate his loyalty to the Fascist state, and falls in love with a strange, compelling woman; his life is torn open - and with it the corrupt heart of Fascism. Moravia equates the rise of Italian Fascism with the psychological needs of his protagonist for whom conformity becomes an obsession in a life that has included parental neglect, an oddly self-conscious desire to engage in cruel acts, and a type of male beauty which, to Clerici's great distress, other men find attractive. "Moravia brings to light the devil in the flesh and in the psyche." - - The Atlantic Monthly