Alberto García Ayerbe Libros

Tu tío arqueólogo te propone viajar con él este verano. Las opciones son de la selva sudamericana a una mina en África, de las galerías de una tumba egipcia a un volcán en medio de Camboya. ¿En cuál de esos destinos se esconde el mayor de los tesoros? Si quieres descubrirlo, haz la maleta y pasa página. •Llega hasta unas minas escalando un volcán en la página 14 o atravesando un lago lleno de cocodrilos en la página 22. •Dentro de la Gran Pirámide del Sol puedes conseguir la eterna juventud en la página 12 o la riqueza infinita en la 20. •Intenta detener a unos ladrones de tesoros tú solo en la página 63 o con la ayuda de un elefante en la página 107.

"Colmillo Blanco" ilustrado, único en su clase. Colmillo Blanco es una novela del escritor estadounidense Jack London (1876-1916). Inicialmente aparecida por entregas en la revista Outing, fue publicada en 1906. La historia transcurre en el Territorio del Yukón, Canadá, durante la Fiebre del oro de Klondike a fines del siglo XIX. Narra el camino hacia la domesticación de un perro lobo salvaje. La mayor parte de la novela está escrita desde el punto de vista del personaje canino, lo que le permite a London explorar la forma en que los animales ven su mundo y a los seres humanos. Colmillo Blanco examina el violento mundo de los animales salvajes y el igualmente violento mundo de los humanos. La novela además explora temas complejos, como la moral y la redención. Ha sido adaptada al cine varias veces. Esta edición contiene 11 ilustraciones de Dino Di Lena, un reconocido artista italiano.

Since their first publication in the 1830s and 1840s, Edgar Allan Poe's extraordinary Gothic tales have established themselves as classics of horror fiction and have also created many of the conventions which still dominate the genre of detective fiction. Yet, as well as being highly enjoyable, Poe's tales are works of very real intellectual exploration. Abandoning the criteria of characterization and plotting in favor of blurred boundaries between self and other, will and morality, identity and memory, Poe uses the Gothic to question the integrity of human existence. Indeed, Poe is less interested in solving puzzles or in moral retribution than in exposing the misconceptions that make things seem "mysterious" in the first place. Attentive to the historical and political dimensions of these very American tales, this critical edition selects twenty-four tales and places the most popular -- "The Pit and the Pendulum," "The Fall of the House of Usher," "The Masque of the Red Death'," "The Murders in the Rue Morgue," and "The Purloined Letter" -- alongside less well-known travel narratives, metaphysical essays, and political satires.

On a trip to Transylvania, Jonathan Harker stays at an eerie castle owned by Count Dracula. When strange things start to happen, and the count escapes to London, Harker realizes that he and his friends are in grave danger.

The portrait painted by an artist robs his sitter of her life. A jester dwarf takes terrible revenge on the king and his court. The Red Death stalks the chambers of Prince Prospero. The razor-edged pendulum swings lower towards a prisoner of the Inquisition. And Montresor takes Fortunato to a dank Roman cellarage, to taste an Amontillado... Ten of Edgar Allan Poe's great tales of horror, jeopardy and death, and the four classic tales with which he created a new genre, the detective story : " The Gold-Bug ", " The Murders in the Rue Morgue ", " The Mystery of Marie Rogêt " and " The Purloined Letter ".