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Norman Mailer

    31 de enero de 1923 – 10 de noviembre de 2007

    Norman Mailer fue un novelista, periodista y ensayista estadounidense, reconocido como pionero de la no ficción creativa y del movimiento del Nuevo Periodismo. Su escritura a menudo profundizaba en las crudas realidades de la vida estadounidense, explorando temas de violencia, poder y la psique masculina. El estilo distintivo de Mailer se caracteriza por su inmediatez visceral, personajes cautivadores y agudo comentario social y político. Navegó magistralmente los límites entre la ficción y los hechos, expandiendo las convenciones de la expresión literaria.

    Norman Mailer
    Marilyn
    St. George and the Godfather
    Advertisements for Myself
    Norman Mailer 1945-1946 (loa #364)
    Pieces and Pontifications
    Los tipos duros no bailan
    • Los tipos duros no bailan

      • 275 páginas
      • 10 horas de lectura

      Esta brillante novela, tenebrosa y de fuerza sorprendente, narra la historia de Tim Madden, escritor fracasado adicto al bourbon, los cigarrillos y las rubias casquivanas y adineradas en el escenario de arbustos y dunas de Provincetown, cargado de la crudeza y melancolía de la población fuera de temporada. Cuando se cumplen 24 días del abandono de su esposa, Tim Madden amanece con resaca, una acentuada excitación sexual y un nombre del pasado tatuado en rojo en el brazo. Apenas recuerda nada de la noche anterior. De pronto descubre que el asiento del acompañante de su Porsche está empapado de sangre y que, en un bosquecillo cercano, en un rincón semioculto de su escondrijo de marihuana, hay una cabeza rubia cercenada por el cuello.¿Será Madden un asesino? La narración se centra en la violencia física, sexual y emocional mientras asistimos a los esfuerzos de Madden por reconstruir aquella espantosa noche.

      Los tipos duros no bailan
    • Norman Mailer's The Naked and the Dead is not just a monumental war novel but also a devastating antiwar novel, exposing the primal nature of power through the interplay of a platoon of soldiers on an impossible and ultimately pointless mission on an obscure island in the Pacific during World War II. Written just after the war ended, in the early days of the emerging Cold War, the novel daringly engages with the authoritarian impulses in the American character

      Norman Mailer 1945-1946 (loa #364)
    • An essential guide to the life and work of one of America's most controversial writers, Advertisements for Myself is a comprehensive collection of the best of Norman Mailer's essays, stories, interviews and journalism from the Forties and Fifties, linked by anarchic and riotous autobiographical commentary. Laying bare the heart of a witty, belligerent and vigorous writer, this manifesto of Mailer's key beliefs contains pieces on his war experiences in the Philippines (the basis for his famous first novel The Naked and the Dead), tributes to fellow novelists William Styron, Saul Bellow, Truman Capote and Gore Vidal and magnificent polemics against pornography, advertising, drugs and politics. Also included is his notorious exposition of the phenomenon of the 'White Negro', the Beat Generation's existentialist hero whose life, like Mailer's, is 'an unchartered journey into the rebellious imperatives of the self'.

      Advertisements for Myself
    • Bert Stern's "Last Sitting" photographs of Marilyn Monroe enter a dialogue with Norman Mailer's rigorous biography of the actress in this virtuoso publication. The fusion of image and text makes for an intimate portrait of an infamously enigmatic woman; a celebrity who shone even in tragedy. In this bold synthesis of literary classic and...

      Marilyn
    • Oswald's Tale

      • 848 páginas
      • 30 horas de lectura

      A work of meticulous research and breathtaking insight, Oswald's Tale: An American Mystery asks the essential question about the Kennedy Assassination: Who was Lee Harvey Oswald? Providing the first full account of his childhood, the years under KGB surveillance in Russia and the events from his return to the United States in 1961 to his death in Dallas. Norman Mailer brilliantly reconstructs the life of this ambitious, doom-laden young man, bringing to the task not only a sober respect for the facts but the power, as America's most distinguished novelist. To invest those facts with vibrant and haunting life.

      Oswald's Tale
    • The Fight

      • 256 páginas
      • 9 horas de lectura

      Muhammad Ali met George Foreman in the ring. Foreman's genius employed silence, serenity and cunning. He had never been defeated. His hands were his instrument, and 'he kept them in his pockets the way a hunter lays his rifle back into its velvet case'. This book focuses on the 1975 World... číst celé

      The Fight
    • In what is arguably his greatest book--written in 1979 and reissued here in trade paperback--America's most heroically ambitious writer follows the short, blighted career of Gary Gilmore, an intractably violent product of America's prisons who---after robbing two men and killing them in cold blood--insisted on dying for his crime.

      The Executioner's Song
    • "The Faith is the bible of graffiti. It forever captures the place, the time, and the writings of those of us who made it happen." —Snake I In 1973, author Norman Mailer teamed with photographer Jon Naar to produce The Faith of Graffiti, a fearless exploration of the birth of the street art movement in New York City. The book coupled Mailer's essay on the origins and importance of graffiti in modern urban culture with Naar's radiant, arresting photographs of the young graffiti writers' work. The result was a powerful, impressionistic account of artistic ferment on the streets of a troubled and changing city—and an iconic documentary record of a critical body of work now largely lost to history. This new edition of The Faith of Graffiti, the first in more than three decades, brings this vibrant work—the seminal document on the origins of street art—to contemporary readers. Photographer Jon Naar has enhanced the original with thirty-two pages of additional photographs that are new to this edition, along with an afterword in which he reflects on the project and the meaning it has taken on in the intervening decades. It stands now, as it did then, as a rich survey of a group of outsider artists and the body of work they created—and a provocative defense of a generation that questioned the bounds of authority over aesthetics.

      The Faith of Graffiti