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Focusing on the fingering logic and performance techniques of woodwind instruments, this research paper presents a psychological study that explores the cognitive processes involved in playing these instruments. It offers a model to better understand how musicians navigate fingering patterns and the mental strategies they employ during performance. The work is aimed at postgraduate students and contributes to the field of musicology by bridging the gap between psychology and musical practice.
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The fingering logic and performing of woodwind instruments, Peter Ninaus
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- Publicado en
- 2011
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