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Exploring the interplay between visual culture and ethics, the book delves into how films engage viewers with violent narratives while prompting reflection on their societal implications. Through the works of directors like Michael Haneke and Ryan Coogler, it addresses themes of personal conflict, warfare, and systemic issues such as labor exploitation and racism. The analysis highlights the unique ways these films critique their own construction and distribution, focusing on material design and the economics of rhetoric, distinguishing them from typical cinematic experiences.