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Cultural appropriation is examined through the lens of African-American music, focusing specifically on rap within the context of Hari Kunzru's novel "White Tears." The analysis delves into the motivations of two white young men as they engage with a musical genre rooted in a culture they did not experience firsthand. The paper concludes by addressing the ethical implications of these interactions, ultimately questioning the validity of Carter's rejection of a business proposal from a white rapper.
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Rap Music and Cultural Appropriation in Hari Kunzru's "White Tears", Florian Arleth
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- Publicado en
- 2019
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