Paul Werstine Orden de los libros (cronológico)

The second edition of King Richard III, with a new introductory section by Janis Lull.

This updated edition includes: *Newly re-edited play text and revised commentary notes *Scene-by-scene plot summaries *A key to the play's famous lines and phrases *An introduction to reading Shakespeare's language *An essay by a leading Shakespeare scholar providing a modern perspective on the play *Fresh images from the Folger Shakespeare Library's vast holdings of rare books *An up-to-date annotated guide to further reading

Renowned as Shakespeare's most boisterous comedy, The Taming of the Shrew is the tale of two young men, the hopeful Lucentio and the worldly Petruchio, and the two sisters they meet in Padua. Lucentio falls in love with Bianca, the apparently ideal younger daughter of the wealthy Baptista Minola. But before they can marry, Bianca's formidable elder sister, Katherine, must be wed. Petruchio, interested only in the huge dowry, arranges to marry Katherine -against her will- and enters into a battle of the sexes that has endured as one of Shakespeare's most enjoyable works.

An international team of scholars offers: • modernised, easily accessible texts • ample but unobtrusive academic guidance • attention to the theatrical qualities of each play and its stage history • informative illustrations, including reconstructions of early performances Much Ado has always been popular on the stage. This edition pays special attention to the history and range of theatrical interpretation. The most famous actors, from the time of Garrick to the present, have appeared as the sparring lovers Beatrice and Benedick. In recent times the play's matched plots of two pairs of lovers have been of interest to feminist critics. A full commentary includes annotation of the many sexual jokes in the play that have been obscured by the complexity of Elizabethan language.

La historia original del moro de Venecia, de Gianbattista Giraldi Cinthio (1565), sirvió a William Shakespeare para crearáOtelo, la única de sus grandes tragedias basada en una obra de ficción.á Contraviniendo la imagen isabelina del moro, Shakespeare invierte los papeles de los protagonistas y otorga al moro Otelo el carácter de hombre noble y aristocrático, mientras que reserva para el italiano Yago la perversidad y la hipocresía, desarrollando en él uno de los estudios más profundos del mal. Al final, el protagonista, como un auténtico héroe trágico, consciente de su degradación y de su pérdida, escribe su propio epitafio, con la angustia del héroe destrozado.á Traducción y edición de Ángel-Luis Pujante, premio Nacional de Traducción.

Presents the original text of Shakespeare's play side by side with a modern version, with marginal notes and explanations and full descriptions of each character.