Theatres of Immanence

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Exploring the intersection of Deleuze's philosophy with theatre and performance, this monograph delves into how various performance styles, including Goat Island and Butoh, can articulate concepts of immanence. It synthesizes ideas from notable figures like Artaud and Kaprow, alongside philosophical influences from Bergson and Laruelle, to present performance as a vital medium for understanding and expressing ethical dimensions in artistic practice.