Theatres of Immanence

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Focusing on the intersection of Deleuze's philosophy and performance, this monograph explores how various artistic movements and thinkers, including Goat Island, Butoh, and Artaud, inform the ethics of theatre. It presents performance as a medium for contemplating immanence, drawing connections between philosophical concepts and practical applications in the performing arts. The work engages with significant figures like Bergson and Laruelle, offering a comprehensive analysis of their influence on contemporary performance practices.