Theatres of Immanence

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Exploring the intersection of philosophy and performance, this monograph delves into how Deleuze's ideas inform theatrical practices. By analyzing works from Goat Island, Butoh, and influential figures like Artaud and Kaprow, it presents performance as a medium for understanding immanence. The book uniquely combines insights from Deleuze, Bergson, and Laruelle, offering a fresh perspective on the ethical dimensions of performance art.